Entertainment
Beyonce Could Make Over $2 Billion From The Renaissance World Tour
Beyonce’s ‘Renaissance World Tour’ could make the megastar more than $2 billion, according to Forbes.
The revered financial publication believes the ‘Cuff It’ hitmaker will make $2.4 billion from ticket sales alone by the end of September.
Tickets for the Grammy winner’s first global jaunt in seven years are being sold for up to $700.
This is under the assumption that the 41-year-old singer will also bank a “considerable share” of the money made from merchandise sales.
Beyonce added additional London shows after fans scrambled to get tickets.
The ‘Halo’ hitmaker has not hit the road since ‘The Formation World Tour’ in 2016 but will be back on stage with a run of more than 40 shows across the globe to celebrate the success of her comeback album ‘Renaissance’, which soared to the top of the charts when it was released in July 2022.
Live Nation announced back in February that due to “high fan demand”, the UK leg will now have five stops at London’s Tottenham Hotspur Stadium in May and June.
The mammoth jaunt opened on Wednesday, May 10 at the Friends Arena in Stockholm, Sweden before making stops throughout Europe, the Welsh capital of Cardiff, Edinburgh, Scotland, Sunderland’s Stadium of Light in the North of England and eventually going on to other major cities such as Paris, London, Marseille, and Amsterdam.
The tour will then continue across North America with shows in Toronto, Chicago, East Rutherford, Atlanta, Las Vegas, Los Angeles, and Houston in July and run through until late September when the ‘Crazy In Love’ hitmaker will wrap things up in New Orleans.
The ‘Break My Soul’ hitmaker will also be running her BEYGood initiative throughout the tour, which offers scholarship funds and works with sustainability brands.
If she does make $2 billion, she will have outsold Taylor Swift’s estimated earnings for the ‘Eras World Tour’ by $600 million.
Entertainment
Fave Takes the Spotlight As Spotify’s Equal Africa Artist For November
Spotify has named Nigerian music sensation FAVE as its EQUAL Africa Artist of the Month for November 2024.
With her soulful voice, captivating lyrics, and unique rhythmic style, FAVE has become one of Nigeria’s most influential musical figures, gaining international recognition.
FAVE’s breakthrough came in 2020 with the viral hit “N.B.U.,” followed by her debut EP Riddim 5. She has since collaborated with top Nigerian artists like Olamide, Simi, Phyno, and Davido. Notably, her feature on Davido’s “Kante” from the Timeless album was one of Spotify’s most-streamed tracks in Nigeria in 2023.
Reflecting on her journey, FAVE shared, “Being a woman in the music industry can be challenging, but it’s made me more determined. The EQUAL program is vital because it amplifies women’s voices and promotes balance in the industry.”
Phiona Okumu, Spotify’s Head of Music for Sub-Saharan Africa, praised FAVE’s global appeal, saying, “FAVE represents the incredible talent coming out of Africa, and we’re proud to celebrate her as part of the EQUAL Africa program. She’s an inspiration for future artists.”
She recently released a new track titled Dutty Love on November 7.
Entertainment
Kenyan Music Producer DTX Encourages Listeners To Get ‘High’ On Life’s Wins With New Single
Kenyan music producer and songwriter DTX is set to make waves with the release of his newest single, High.
Known for his dynamic production style that seamlessly blends a wide array of genres—including pop, electronic, hip-hop, R&B, dancehall, afrobeat, trap, drill, dubstep, and EDM—DTX continues to push boundaries in Kenya’s music scene. This versatility is on full display in High, a track that promises to resonate with music lovers everywhere.
High is an energizing, celebratory track that encapsulates the pure joy of life’s victories. Whether it’s a milestone, a special moment, or a burst of confidence, the song is a call to revel in life’s highs, whatever they may be. Through this single, DTX creates a universal message aimed at inspiring happiness and self-assurance across all walks of life.
“I made this track so people can embrace and cherish their highs, whatever form they take,” says DTX. “Whether it’s love, success, career achievements, or personal growth, I want listeners to celebrate themselves and feel proud.”
DTX has earned acclaim for producing some of Kenya’s most beloved tracks, including Sauti Sol’s Rhumba Japani, Savara’s Balance, and Nyashinski’s Silencer. His unique touch and dedication to innovation have cemented his reputation as one of Kenya’s leading music producers.
With High, DTX invites fans to reflect on their accomplishments, big or small, and add a soundtrack to their personal triumphs. The track is a reminder to take a moment, let loose, and enjoy life’s special moments with unbridled joy.
Entertainment
Pop Star Ariana Grande Slows Down Music To Embrace Musical Theatre Roots
Ariana Grande recently shared her plans to slow down her music career, a move she knows might surprise her fans.
Speaking on the ‘Las Culturistas’ podcast, the 31-year-old pop star revealed how playing Glinda the Good Witch in the upcoming Wicked film adaptation has reignited her love for musical theatre. While she promised not to abandon music entirely, Grande explained she no longer envisions keeping up her intense pop music pace.
“It is my heart,” she said, adding, “I’m always going to make music and perform, but not at the rate I have been for the past 10 years.”
Grande, whose career began with the Broadway musical 13 at age 15, reflected on the joy of returning to her roots. “Reconnecting with this part of myself and finding roles to use my comedy and musical theatre background has been healing,” she shared, emphasizing the emotional importance of this shift.
The former Victorious star acknowledged the mixed reactions to her casting as Glinda, admitting on the ‘Sentimental Man’ podcast that she felt the need to prove herself. “It has to be earned,” she said, highlighting the training she undertook to prepare.
Grande aims to balance her love for theatre with continued work in music—at a pace that feels more sustainable for her future.
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